Still life – a contemporary view

Apples in the washbowl   oil on canvas – 50cm x 50cm – SOLD

‘Still Life’ as a discipline can be a fascinating subject. Life however, is never still, it moves on determinedly all the time from life to death, death being another element in the passage of time. A moment can be captured in a photograph or a painting, however, that object itself will wither and degrade, and whatever the object, time is patient. In fact that very painting or photograph will then wither and degrade. Taken literally, there is no such thing in terms of representation as ‘still life’ – I prefer to think of it as a ‘glimpse of life’, a moment in time. For me it is more dynamic than just ‘an arrangement of inanimate objects’, for me it tells of the inevitable story of things moving from one state to another.

So, apples in the washbowl – the bright fresh fruits, promising much, and full of energy.

Life is transient, and the pips in the bottom right corner show that the apples will soon be consumed. On the other hand, one tries to keep things for the future, the moth which has alighted on one of the apples, signifies that sometimes things fail. Apples may moulder in their box, moths may come in and destroy. A rather symbolic work under the surface, a picture which imparts a message, not just an image. Messages of course can be interpreted in many different ways. Ultimately, time is the topic here, not apples. You could view it negatively – time is immoveable, unchangeable, it is fruitless to try to arrest the action of things moving from one state to another, living, ageing and dying. You could view it positively – if time did not move relentlessly on, there would be no impetus to live life fully, with all the time in the world there may be nothing to rouse one to activity and to enjoy. Carpe diem. Sieze the day.

To see a wider range of ‘Still Life’ paintings, click here

Pilots Cutters and ‘the squeeze’

The Sea

Recent work – The Pilots Cutters

‘Waiting for ‘the off’, Fowey,  oil on canvas – 100cm x 100cm – SOLD

Every year the Pilot Cutter Review is held on a  May weekend in Cornwall.  Here are some of the boats hoisting sails, waiting for the race line to form. Mascotte is in the centre, one of the original Bristol Channel Pilot Cutters, with the distinctive N on her sail, for Newport. On the left is the beautiful Pilot Cutter Freya, newly built by Luke Powell and Working Sail, launched in April this year. In the background in full tan sail is the Westerman who took part in the racing.

To see a wider range of sailing and the sea, click here

Interior and space

Recent work – still life

‘The squeeze’  oil on canvas – 30cm x 30cm – SOLD

Here I have tried to capture the feel of  lemons, not just their appearance. The intense, fresh, face-puckering citrus danger –  sharp feel, sharp flavour.  In this image though, all the energy has gone out of the fruit, the danger – passed. The colours have dulled, the focus soft. Two flies cautiously eye up the spent juice.

To see other paintings in the interior and space series, click here

Take a look also at www.saatchionline.com/jillhudson  both prints and a selection of original paintings can be purchased through this site.